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Everyone
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·
Opening – BE engaged. Freeze with energy. Eyes on exit sign.
·
We need
snaps somewhere else – think about where. After funeral monologues?
·
Someone help Sheriff and Tiny change clothes.
·
When Jack says, “Yeah, I know.” – there was a
pregnant pause. It says that Sadie
sings “Ain’t Misbehavin” We could have
the men sing there. It is on page 10
before scene 8.
·
Picnic scene – Sadie say to Jack – turning back
toward him – What’s gotten into him?
·
When Sadie says, “Sap? Hell, you go on – Every
man a king should start immediately.
·
Scene -13 – the crowd is the transition. YOU have to be loud as soon as Jack says to
Anne –“I’m sorry.” Crowd needs to be immediate behind the flag moving on
around. Some will hang around others
wave at Willie and move on off.
·
Cut – Scene 15 – Sadie – Damn you & start
with Jack’s Has Mac Murphee got anything?
·
Song – Glory – needs more strength – be confident
·
Willie has layers – everyone else needs them
no matter how small the parts.
·
Crowd noises before the telegrams arrive.
·
What actresses need magnets in their dresses?
·
We need to decide when funeral ends so that you
freeze.
·
Shall we gather at the river – louder
·
Boo – different reactions – it was weird –
began together and ended together and everyone said the same thing.
|
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Jack
|
You need more confidence. You need to command the stage from the get
go.
|
|
Editor
|
Stand up and be powerful.
|
|
Elijah
|
Freida loves your voice!
|
|
Rednecks
|
Need levels
Someone DS on knee
Energy dies at times in this scene.
|
|
Lucy, Willie, Jack
|
This scene dies at the end.
|
|
Lucy
|
Change pacing of dialogue
At the end, face the audience until Willie says the line that he is
going back to you, then turn to him.
|
|
Funeral scene
|
Freeze – Voices must “reek” tragedy
|
|
Willie and Sadie
|
After spoon fed sap – What to do?
I like carrying Sadie off – she giggles and comes back in buttoning up
her blouse. How do we get Willie to
change quickly?
We need to see your journey – being in love then Sadie being in love
and Willie being in love with Anne.
|
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Sadie
|
Your monologue on page 15 before scene 11 should be triumphant.
|
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Editor
|
You have to stand up straight and be cocky.
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Music
|
Questions about cues 5 & 6.
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Tiny, Sugar Boy, Willie, Jack, Sadie
|
React when Hugh quits.
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|
Tiny, Sugar Boy, Willie, Jack, Sadie
|
React when Willie says – Lucy’s leaving me.
Willie – a beat after that before you say it isn’t Sadie.
React to Adam taking the job and Adam getting up.
Vocals are needed in this scene.
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Sadie and Jack
|
We need more build up.
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Anne and Jack
|
Could have married me – Jack almost touches her face.
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Anne and Sadie
|
Singing transition – a little louder
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Anne
|
Louder – I don’t know what scene.
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Lily
|
Your body needs to match your voice.
We need vocals before, during and after.
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Jack
|
Bigger with the letter. The
letter is a problem.
I can never ask him BEAT why.
Look at the last line.
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Jack and the Judge
|
Remember everything you did in
the critique.
Read the letter – stop and look at Jack both look away
I wouldn’t hurt you but I could stop you
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Dolph
|
Great job as Dolph and great job as a surrogate judge.
He gets biggity – consonants – hit them
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Sugar boy and tiny
|
Don’t change behind the flag.
It is too cluttered back there
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Monday, February 16, 2015
February 16
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Personally I liked what I did last night better than what I have been trying to do. I think that I will begin to pull off my character as more condescending rather than trying to be brutish. For one I think it will add more depth to my character and I think that I will be more easily able to pull it off.
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ReplyDeleteI think we need to see more character development you all have a purpose as a person in this play think about what your plans are for the day it can be just as simple as going to get food or to meet with your friends.
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