Thursday, January 29, 2015

January 29


January 29, 2015

Everyone
·         At the beginning there is a music box sound, Everyone is behind the flag except for Jack.  Steam is filling the stage.  He is looking for the past for 15 seconds.  Ann comes out singing. Immediately, Judge (gun),Mom(pic of Theo),Sadie (mirror),Adam(stethoscope),Lucy (book), Willie (Bible) enter(from behind flag) in slow motion to their spot.  Everyone else follows in slow motion. After Anne’s first song, people come in humming as we rehearsed.  Jack is wandering – trying to find the truth. People say lines, Jack says his. Jazzy Humpty & people are moving regularly to next scene – happy.  As Paige says, they snap out of it. ?  Better ideas – I want to know BEFORE Sunday.
·         As actors, if you need something weird to do to make yourself different, ask Carly.
·         Crowd, don’t interrupt all the time.  Occasionally is okay. You have to appear to LISTEN.
·         In the crowd, have a husband look at his wife and say how good this would be for them.
·         Crowd is standing in a perfect semi circle.
·         Someone in the crowd – The cripple’s mom or dad – help her up to Willie.
·         People too loud in back.
·         Andrew and Mac – good job trying to coordinate back people.
·         People too clumped together in back.
·         Stay in character – when you are not – it takes longer to rehearse.
Jack
Don’t sit in Willie’s house without being asked.
Wearing a hat – pull it back.
 
Sadie
Be further back on stage doing something so that you don’t already know what is going on – ask Carly.
Slow down.
Willie
Good job!
Editor
Great improvement – now wow us with your last line in the show.
Tiny
Ask Carly about how to say – well, what’s the matter with him?
Jack and Sadie
You have to be actively listening to Willie before saying- What’s the matter with him.
Adam, Anne, Jack
Boys have had drinks.  Anne takes them & puts them on table. Adam takes his back and exits. Then she says her line.  
Hugh and Sadie
We need to see you meet at her desk or earlier & have enough time to introduce Hugh before Sadie goes in and announces his presence.
Hugh
Speak slower.
My mind has been made – say it louder.
Tiny
Enunciate
Hugh, Jack, Willie, Tiny
React when Hugh leaves.  Jack shake his hand when you say see you around.
Anne
Learn your lines
Jack
Improve their mind is supposed to be funny
To get
Flowers
Vase
Glasses
Ice tea and jelly glasses
Sliders under bar
Table cloth, picnic baskets food
Wrist watches – check dates
MacMurfee signs
Yearbook
Cameras
Flat sheet
Pics of Jack, Mom & Theo, judge and Jack
Popcorn in bags

 

Monday, January 26, 2015

January 26



"Acting represents all that human beings experience, and if you want it to be 'nice,' you will never be a serious communicator of the human experience." - Larry Moss
EVERYONE NEEDS TWO MORE COMMENTS
Everyone
·          Men scene – how can you make your character different from the others? Step on lines.
·          Step on lines.
·          Need to see expressions on faces.
·          EVERYONE – What makes your character different from the others?
·          Watch happy feet.
·          DO NOT STEP  BACKWARD
·          Stay in character regardless.  Some of the new actors may be doing what the older ones are.  Be an example.
·          5 REHEARSALS LEFT UNTIL THE FIRST CLINIC!!!!!!!!!!!!!!!!!!!!!!!!!!!!
·          Quiet backstage.
·          Hand gestures above the waist.
·          Crowd is not believable.
·          People in back are not believable
·          Candle stick phones in the 20s.  Black rotary in the 30s.
Willie
Be bigger.  You are a politician – you have to have a big ego.  For the most part, you were right on.
At times, quiet the crowd down but You LOVE that you do that.
Willie & Lucy
Maybe a kiss on the forehead before Jack comes into the picture or help her sit – something to show that Willie treasures Lucy.
Man (Judge)
Them bricks were rotten – more emotion
Hugh
Slow down.
Tiny
Say your lines at the bar b que differently.  Ask Carly.  First time you are curious.  Second time you think he is crazy or you are in trouble.
Come in earlier to take Willie out.
 
Sugar Boy
Have stage business. At one time, you looked like you were daydreaming.  You can’t do that.
Lights
Need blue lights in the back all the time.
To do
Letter of resignation
 
White paint WGWo3 Autumn Haze
Business Cards

Baton Rouge

Sunday's critique precedes this. Please read it.
The city name was coined over 300 years ago when on 17 March 1699, Pierre Le Moyne, Sieur d'Iberville, led an expedition along the Mississippi River. The early French explorers found a pole stained with the blood of fish and animals that served as the dividing line between the Bayougoula and Houmas Indians. It is from this "red stick" that Iberville christened the city "le Baton Rouge", French for "red stick".  *Cora speaks French fluently.  
The small town was selected as the new capital of the state of Louisiana in 1817, and it's been growing ever since. The capital was returned to New Orleans for a while during and after the troubles of the American Civil War, but it was moved back in 1882.

Climate

Baton Rouge has a semi-tropical climate, perfect for outdoor activities.
The weather is consistently warm from May-Sep. Be warned that, like the rest of the Southern United States during the summer, it can become down-right miserable, with sustained temperatures in the 90s (°F) with 100% humidity. Proper medical precautions should be taken if planning on partaking in outdoor activities, such as ample amounts of sunscreen and hydration. Also, there are many days throughout July that are classified as "ozone days," which are days on which the level of ground-level ozone is severe, causing health problems in sensitive individuals. This should be taken into consideration before planning outdoor activities throughout the summer months.
Winter is usually mild and short-lived. Spring is glorious with cool nights and warm, sunny days. A light jacket is all that is needed. Fall is mild and only a light sweater is needed in the evenings.
Precipitation is reasonably well-distributed and ample throughout the year with an average annual precipitation of 55 in (140 cm) 
Baton Rouge, like many cities in the Gulf States, has what is known as 5 seasons. The 5th season, being hurricane season. The time of year between June 1 and November 30 when hurricane are most likely to form.

HISTORICAL STORES
REYMOND'S DEPARTMENT STORE
Originally opened in 1915 as Reymond's Department Store but in 1929, it changed hands and became the Dalton Co. In 1955, it housed a branch of D.H. Holmes where it remained until they closed the 3rd Street location in February 1963. The building became the new home of I.H. Rubenstein's in 1965, the fourth department store firm to operate in the structure. in 1965, the fourth department store firm to operate in the structure. Source

RUBENSTEINS
The store, I.H. Rubenstein and Son, was a part of the musical chairs which affected Baton Rouge retailing throughout the last century. Mr. Rubenstein had been a manager of Rosenfield's, which dates back to 1853. Rosenfield's was the first store in Louisiana to be completely air conditioned, have elevators and eventually, moving stairs.
 
ST. VINCENT'S ACADEMY
Catholic High School was founded in 1894 as St. Vincent's Academy. The school was so named in recognition of the Society of St. Vincent de Paul, who helped organize and establish the school. The original site of the school was an old frame building in downtown Baton Rouge, and the enrollment was 106 students. By the 1920s, the enrollment had grown to approximately 300 students, and in 1928,  the Brothers of the Sacred Heart built a new school, gym, and brother's residence at the corner of North Street and Fourth Street.

The name of the Academy was changed to Catholic High School, in 1929, after the move into another facility.
 
 
THE CENTRE OF BATON ROUGE
 
BEAUREGARD TOWN HISTORIC DISTRICT

The greater part of Beauregard Town is locally outstanding turn-of-the-century middle class residential area, certainly the finest surviving example in East Baton Rouge Parish.
Beauregard Town enjoys a lesser degree of significance as an early 19th century community which was conceived as a Baroque City plan. All that survives of the plan are the diagonal radiating streets. Although their purpose is no longer apparent to the casual observer (except from the air) they do cut strong vistas through the townscape.
In 1799 Elias Beauregard probably conceived the idea of developing a planned center of town for Baton Rouge. It was at the time the center of government for the Spanish province of West Florida. Elias Beauregard, first commissioned Iro Kneeland to design and lay out the town. Being dissatisfied with Kneeland's work, Beauregard later engaged the services of Arsene LaCarriere LaTour to plan his town. LaTour was the French engineer who was later to become Andrew Jackson's chief engineer for the battle of New Orleans. LaTour was later to write several books on military fortifications. In 1806 LaTour presented to Elias Beauregard the plan for a classically laid out community.
In 1806 a plan for the old town was designed by Elias Beauregard and the French engineer Arsene LaCarriere LaTour, in the Grand European Manner. The 9 x 12 block planned town was to have tree-lined boulevards, radiating streets and a central Cathedral Square. A Grand Rue, now known as Government Street, was to be "immediately planted with trees," according to Elias Beauregard. This major east-west axis divided the town into two parts. In the central part of the old town there was a Cathedral Square with radiating streets to the four corners of the town, thus allowing easy access to the cathedral. At the ends of the diagonal streets there were to be public institutions and open spaces. At the end of Beauregard Street there was to be a college; a hospital terminated Grandpre Street; "Calle Sr. Penalvert" linked the cathedral with the Ursuline Convent and adjacent Plaza de Mexico, with its fountain; Somerulos Street terminated at the Governor's Office and its adjacent plaza, the Plaza de las Floridas, also with a fountain. In addition to Mexico and Florida Plazas there was also a riverfront plaza called Plaza de Colomb. Also on the riverfront were markets, the King's Store and a customs office. There was a theater along the Grand Rue bordered by St. Louis and St. Philip Streets. Terminating the Grand Rue to the east were to be a Governor's residence, troop barracks, formal gardens and a coliseum.
Anxious to begin development of his town, Captain Beauregard organized a public land auction. This was done with the consent of Carlos de Grandpre, Governor of West Florida. On July 22, 1806, lots were sold.
The land uses proposed for Beauregard Town were partially fulfilled. The public plazas were urban open spaces until expansion pressures covered them with public structures during the early 1900's.
Beauregard Town first developed as Baton Rouge's French community. There resided within families with names such as Favrot, DeGrandpre, Borbois, Heude, Granary, Arbour, Trahan, Hebert, Landry, Monget, Charotte, Templet, Legendre, Doiron, Monget and Dalcourt. Accordingly, French was the principle language in the old town. After the building of the Old State Capitol (1847-49), many other cultural groups began to move to Beauregard Town. According to General McGrath around "1860 and thereafter French was rarely heard on the streets of Beauregard Town." It was at this same time period that King Balls, the major social event among Beauregard Town's residents, also went out of fashion.
But there was still much social activity connected with the old town. Performing groups often played for Baton Rouge audiences in the House of Representatives chamber of the Old State Capitol. Steamboats left from the banks of the Mississippi for an entertaining day cruise north to Bayou Sara.
When the Civil War came in 1861, there was great outpouring of patriotism for the southern cause. This, however, was short lived and in 1862 Beauregard Town, along with the rest of Baton Rouge, was occupied by Federal troops. The area was bombarded by Union gunboats, and to prevent its recapture by Confederate troops, General Butler ordered the city destroyed. The order was never wholly carried out but it did cause the burning of some of the buildings in Beauregard Town.
After the war, the economy of Beauregard Town was stagnant. But the old economic base of the area (the cotton and lumber industries) remained and it slowly began to regenerate. By the late 19th century prosperity had been restored. Lumber and cotton were shipped via the warehouses in the western end of the district. It was probably this, more than anything else, that generated the richest residential redevelopment boom which peaked in Beauregard Town about the turn of the century. The prosperity was undeniable. Between 1900 and 1907 total bank deposits in Baton Rouge doubled. Property taxes increased rapidly. There were 10 industrial cotton gins operating in the area. A house in Beauregard Town which was taxed at a rate of approximately $3.00 per year in the early 1890's was taxed at a rate of about $9.00 per year only 10 years later. The redevelopment was characterized by modest middle and lower middle class residences. Records suggest that the people were of reasonable means and on the whole moderately well educated. Some had gone to private schools and some had attended college. There was apparently a high incidence of church attendance and people gave money to churches in liberal quantities. This is indicated by the large number of surviving receipts for donations.
Electricity made its appearance in the 1890's and street paving began in 1901, though it was not finished until many decades later. Transportation from the residential area to the center of town was provided by train trolley lines which ran up and down Government Street. The trolley barns were also located on Government Street (now demolished).
Beauregard Town was described as a quiet town at the turn-of-the-century. There were, however, periodic social events in which many of the residents of Beauregard Town participated. There were organized picnics at the city park. There were firemen's balls in which the participants often came in costume. There were several parades a year and often fire company engines were decked out as floats. The Fourth of July was elaborately celebrated with many floats, costume balls and bazaars.
Another attraction in the area was the race track in Baton Rouge which no longer exists.
A major center of activity was in the old Baton Rouge Market. The market was first located on North Boulevard at the south end of Third Street and later, in 1854, moved to the site of the existing Municipal Building, St. Ferdinand and North Boulevard.
Although the major business of the market was to sell meats and produce during the hours of 2 a.m. until 8 a.m., the market also served coffee and doughnuts at all hours, thus attracting a crowd eager for the latest political and social news. In addition the old market was used for all-night dances on special holidays.
Standard Oil of New Jersey established a plant in northern Baton Rouge in 1909. Slowly development in the city shifted away from Beauregard Town.

Sunday, January 25, 2015

January 25 Critiques


January 25, 2015

Everyone
·         Authentic emotion is a by-product of doing something else- of pursuing a goal, of playing an action.
·         I don't believe you are describing dead kids!
·         After bad speech, let's see Anne and Adam, mom and judge in back -let's see more people in back before the barbeque
·         Some of the speeches seem too long because the crowd is not giving him feedback.
·         The crowd needs to be at back during entire Anne, Adam and Jack scene
·         Willie needs to be campaigning
·         Make sure to have a Lucy & Willie moment backstage before scene where she asks about tramp. We have to know that they are romantic before that scene Scene change between 28 & 29 needs help
·         The screams during shooting sound like jh girls
·         Know the line before yours.
·         Andrew, we will have you moving furniture during the show.  The bench needs to be in the light after the first scene.
·         Carly’s question – what lights do we want DSR when Jack and Willie have two scenes back to back? Let’s have a crowd scene between those.  Carly, which scenes are those?
·         There’s not enough emotion.  Remember that
·         Stay in character no matter if you mess up.
·         Ladies, cross feet at ankles
·         PEOPLE NOISES _ YOU can ADLIB now so do it.
·         Build up emotions before exploding
·         Don’t block faces with hands.
·         Stage business for everyone.
·         Don’t talk to the floor.
·         Be ready for your cues.
·         Step on lines
·         People noises during transitions. ADLIB
·         Scratch umbrellas right now except during funeral scene. No accents
·         Work on fire drill scene
·         Don’t sway side to side
·         Don’t talk upstage
·         Crowd in the back, don’t clump
·         Hand gestures above the weight.
·         When the scene is DSR, the crowd needs to be more USL.  When the scene is DSL, the movement needs to be USR.
·         Slow motion – everyone needs to be slow.
·         Be frozen in the beginning.
·         Transitions are rough.
·         Crowd needs different clapping and shouts.  Girls all sound the same.
·         Hit verbs and consonants.  Look at your script.
·         Work on relationships – not just couple relationships. Work on family and work relationships.
·         Need to work on the judge’s suicide scene, the scene with mother and his monologue.
·         Use the hazer at the end.
·         Dying heartbeat when children fall?
·         Who wrote the two page notes front and back?
·         Scene 7 transition – people in back are a distraction.
·         Scene 10- Crowd rushed out too fast.
·         Look at scene 12 with Paige on crutches. – Why did Adam leave & Brooke and Adam were with Paige.  
·         Crowds – you have to have a purpose for entering and exiting.  In scene 16, there is not purpose to your exit.
·         Scene 20- there was no purpose for everyone leaving.
·         The school tragedy needs to happen BEFORE the editor talks about it.
·         Crowd – study the scenes and know when you are supposed to yell and what you are supposed to yell.
·         Crowd, ignore Willie in first bad speech.  Listen for a bit, then go on talking.
·         Crowd missed How do you know lines.
Willie
Start first monologue stronger.
Be even more boisterous when you give speeches. Need to see Willie stumping the state in the back after Sydney says that line
I’ll kill him.  Say each one differently.
Vary your voice and hit the verbs.
In scene 21, we need to see the changes in you.  It’s not believable.  Show more emotion throughout.
Watch just reciting lines.
ENUNCIATE – hit consonants and verbs.
Pillsbury
You are blocked in the beginning. Don’t sway when talking to Jack.
Hugh
Watch happy feet.  Plant them.
You entered too fast.   Remember that like Jack, Willie was your hero.  You are reluctant – vary voice.
Mother
You need to be sad when you say that you love Monty Irwin – he just died.
Be more outgoing when you are talking about the party.
Dolph
Sound more country/ good old boy.  When people know that they have done something wrong, they become defensive and attack.
Don’t recite lines – put meaning into them.
Anne & Jack
They have to be having a moment before she says “ you spoil everything”
 Jack and Anne should embrace and kiss before he pushes her away to say no
Willie’s guys & Sadie
Jack & Anne
when they are talking about getting Adam to run hospital, it would be good to see him at back with Anne, so we’d see their relationship
Men
Have stage business.  Look up what people did in the 20s-30s
Jonah and Austin are sitting the same way.
Editor
Slow down and enunciate. Lower voice
Be more firm with your lines.  Be an authority figure.
Great job working when you are not acting.
As the photographer, go in with each speech.   Act like you want the best shot.
React BIG when Jack quits.  Either mad or with disbelief.
Music
Fade out each time.
Cut phone rings after two.
Fade out music when Sadie says Damn ou.
Sheriff
Come in earlier.
Lucy
Be sweeping before Jack enters.  Start sweeping slowly
See a sad and lonely Lucy during scene when Adam and Jack talk about hospital job
At the end, you have to look like you have a purpose.  Look in a compact, wave at Willie – do something so that the audience knows that you are there for WILLIE and to  have a new start.
Willie and Lucy
I don’t believe Willie and Lucy are married.
Must have a relationship
Scene 7 – why doesn’t Lucy go with Willie? (LOOK at this)
Paige
Paige must be quieter with crutches
Too happy in scene 6.
You need stage business as Lilly.
Fall is good.
Sadie
You can’t push away from Jack before he kisses her
Slow down when you are talking about Willie being up for election again.
Scene 15- look at your lines, they could be misinterpreted.  Ask Elijah.
During scene 27, don’t pick up the phone before it rings.
Pause He can’t live without me.
Adam
We have to know why you kill Willie? We have to see you ANGRY at Willie and Anne.  You need to speak to Anne and we need to see you argue – in the back. 
Judge & Lilly
Judge should pass Lilly in back and let her avoid him during scene 23
Lights
Willie’s group
lights must be off the office when it’s not the scene –not sure if the office group can be frozen that close while judge and jack are center stage- Frozen, perhaps with back to the audience.  Willie turned around and facing SB, T, & Sadie. Blackout backlight at moment of gunshot
Jack
Be more heartbroken.
Watch being choppy with words.
Scene 18 – why do you exit?  There was no purpose.
Watch speaking too fast – especially with Pillsbury.
Make sure we KNOW you are lying to Tiny about the drinking.
Lights
Wait until the Judge is behind the scrim before the backlight comes on.
Look at lights after fire escape scene.
Willie & Sadie
Be flirtier so that we are building groundwork for your relationship.
Why do you leave during scene 8?
Judge
sound more defensive and proud -suicide was horrible
Anne
Louder and deepen voice.
Vary your voice
Don’t drop your lines.  Let Jack cut you off.
After bad speech, watch your back.
Look shocked when Anne pulls away.
Anne And Jack
We need to see more of the relationship.
Sugar Boy
Be careful how you handle the gun.  It is always loaded. 
Rehearse the ppppleased to meet you.
It doesn’t sound natural.  Most people squint or make faces when they stutter.
How do you feel when Willie puts his arm around you and calls you his pal?
Jack and Sugar Boy
Jack is blocked in scene 29 by Sugar Boy.
TIMES
10 – Yeah, Willie, I’ve heard the speech
20- Jack:  Well, I guess I will give this a try.
30 – Sadie: If you were a man, you would go in there and…
40 – Jack : Do you remember her name.
50: I heard him